“ The absurd man begins where that one leaves off, where, ceasing to admire the play, the mind wants to enter in. Entering into all these lives, experiencing them in their diversity, amounts to acting them out. I am not saying that actors in general obey that impulse, that they are absurd men, but that their fate is an absurd fate which might charm and attract a lucid heart. ”
Albert Camus, The Myth of Sisyphus (1942). copy citation
| Author | Albert Camus |
|---|---|
| Source | The Myth of Sisyphus |
| Topic | diversity fate |
| Date | 1942 |
| Language | English |
| Reference | |
| Note | Translated by Justin O'Brien |
| Weblink | http://www2.hawaii.edu/~freeman/courses/phil360/16.%20Myth%20of%20Sisyph... |
Context
“Whence his interest in the theater, in the show, where so many fates are offered him, where he can accept the poetry without feeling the sorrow. There at least can be recognized the thoughtless man, and he continues to hasten toward some hope or other. The absurd man begins where that one leaves off, where, ceasing to admire the play, the mind wants to enter in. Entering into all these lives, experiencing them in their diversity, amounts to acting them out. I am not saying that actors in general obey that impulse, that they are absurd men, but that their fate is an absurd fate which might charm and attract a lucid heart. It is necessary to establish this in order to grasp without misunderstanding what will follow.
The actor’s realm is that of the fleeting. Of all kinds of fame, it is known, his is the most ephemeral.”
source
