“ Nevertheless, though art disregards money and trade disregards art, the artist may stand not a little trade-alloy and be even toughened by it, and the tradesmen may be more than half an artist. ”
Samuel Butler, The Note-Books of Samuel Butler (1912). copy citation
| Author | Samuel Butler |
|---|---|
| Source | The Note-Books of Samuel Butler |
| Topic | money trade |
| Date | 1912 |
| Language | English |
| Reference | |
| Note | |
| Weblink | http://www.gutenberg.org/files/6173/6173-h/6173-h.htm |
Context
“People have indeed been paid for some of the most genuine pictures ever painted, and so with music, and so with literature itself—hard-and-fast lines ever cut the fingers of those who draw them—but, as a general rule, most lasting art has been poorly paid, so far as money goes, till the artist was near the end of his time, and, whether money passed or no, we may be sure that it was not thought of. Such work is done as a bird sings—for the love of the thing; it is persevered in as long as body and soul can be kept together, whether there be pay or no, and perhaps better if there be no pay.
Nevertheless, though art disregards money and trade disregards art, the artist may stand not a little trade-alloy and be even toughened by it, and the tradesmen may be more than half an artist. Art is in the world but not of it; it lives in a kingdom of its own, governed by laws that none but artists can understand. This, at least, is the ideal towards which an artist tends, though we all very well know we none of us reach it.”
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