“ Painters often fall into despair of imitating nature when they see their pictures fail in that relief and vividness which objects have that are seen in a mirror ”
Leonardo da Vinci, The Notebooks of Leonardo Da Vinci (1478 – 1519). copy citation
| Author | Leonardo da Vinci |
|---|---|
| Source | The Notebooks of Leonardo Da Vinci |
| Topic | despair mirror |
| Date | 1478 – 1519 |
| Language | English |
| Reference | |
| Note | Translated by Jean Paul Richter in 1888 |
| Weblink | http://www.gutenberg.org/cache/epub/5000/pg5000-images.html |
Context
“hold one of your fingers at a span's distance from your eye, and raise or lower it till the top joint touches the feet of the figure you are looking at, and you will see an incredible reduction. For this reason we often doubt as to the person of a friend at a distance.
534.
WHY A PAINTING CAN NEVER APPEAR DETACHED AS NATURAL OBJECTS DO. Painters often fall into despair of imitating nature when they see their pictures fail in that relief and vividness which objects have that are seen in a mirror; while they allege that they have colours which for brightness or depth far exceed the strength of light and shade in the reflections in the mirror, thus displaying their own ignorance rather than the real cause, because they do not know it.”
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