“ Whenever beauty is really seen and loved, it has a definite embodiment ”
George Santayana, The Sense of Beauty (1896). copy citation
| Author | George Santayana |
|---|---|
| Source | The Sense of Beauty |
| Topic | beauty love |
| Date | 1896 |
| Language | English |
| Reference | |
| Note | |
| Weblink | http://www.gutenberg.org/files/26842/26842-h/26842-h.htm |
Context
“These gropings after beauty have their worth as signs of aesthetic vitality and intimations of future possible accomplishment; but in themselves they are abortive, and mark the impotence of the imagination. Sentimentalism in the observer and romanticism in the artist are examples of this aesthetic incapacity. Whenever beauty is really seen and loved, it has a definite embodiment: the eye has precision, the work has style, and the object has perfection. The kind of perfection may indeed be new; and if the discovery of new perfections is to be called romanticism, then romanticism is the beginning of all aesthetic life.”
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