Murasaki Shikibu

Biographical details

Portrait of Murasaki Shikibu Murasaki Shikibu,  The Sacred Tree (1926)

“ He was soon admiring Genji’s rustic house, which seemed to him the most extraordinary place to be living in. He thought it more like some legendary hermit’s hut in a Chinese book than a real cottage. Indeed the whole place might have come straight out of a picture, with its hedge of wattled bamboo, the steps of unhewn stone, the stout pine-wood pillars and general air of improvisation. Chūjō was enchanted by the strangeness of it all. Genji was dressed in peasant style with a grey hunting-cloak and outer breeches over a suit of russet-brown. ”
Source: Wikisource

Portrait of Murasaki Shikibu Murasaki Shikibu,  The Sacred Tree: Being the Second Part of 'The Tale of Genji' (1926)

“ So delighted was he by the young man’s appearance and by the rapid success of his expedition that his usually severe and formidable countenance relaxed into a perfect efflorescence of smiles and affability. But even in this state of preoccupation and excitement he did not forget to offer up a prayer of thankfulness to the God of Sumiyoshi. To the old man it was as though the sun and moon had been taken down from the sky and entrusted to his keeping. It may easily be imagined that he left no stone unturned to make Genji comfortable and contented. ”
Source: Gutenberg

Portrait of Murasaki Shikibu Murasaki Shikibu,  The Tale of Genji (1925)

“ But even the weather seemed conscious that such sights as this would not for a long while be seen again, and till all was over not a drop fell. His Exit Dance, crowned as he was with this unspeakably beautiful wreath of many coloured flowers, was even more astonishing than that wonderful moment on the day of the rehearsal and seemed to the thrilled onlookers like the vision of another world. Humble and ignorant folk sitting afar on tree-roots or beneath some rock, or half-buried in deep banks of fallen leaves—few were so hardened that they did not shed a tear. ”
Source: Wikisource

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