Summary

1911 Encyclopædia Britannica, Volume 12… (1911)

At no time was the stage, rude and coarse as it was, more popular as a true exponent of the popular mind. Gringoire’s success lay in the fact that he followed, but did not attempt to lead; on his stage the people saw exhibited their passions, their judgments of the moment, their jealousies, their hatreds and their ambitions.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 12… (1911)

Brotherhoods of the kind existed all over France. In Paris there were the Enfans sans Souci, the Basochiens, the Confrérie de la Passion and the Souverain Empire de Galilée; at Dijon there were the Mère Folle and her family; in Flanders the Société des Arbalétriers played comedies; at Rouen the Cornards or Conards yielded to none in vigour and fearlessness of satire. On Shrove Tuesday 1512 Gringoire, who was the accredited defender of the policy of Louis XII., and had already written many political poems, represented the Jeu du Prince des Sots et Mère Sotte.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 12… (1911)

A young couple are visited by Care, Need, Discomfort, &c.; and other personages common to medieval allegories take part in the action. In November 1501 Gringoire was in Paris directing the production of a mystery play in honour of the archduke Philip of Austria, and in subsequent years he received many similar commissions. The fraternity of the Enfans sans Souci advanced him to the dignity of Mère Sotte and afterwards to the highest honour of the gild, that of Prince des Sots.
Source: Wikisource

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