“ At the Paris International Exhibition of 1855, when Hamon re-exhibited the casket of 1851, together with several vases and pictures of which “L’Amour et son troupeau,” “Ce n’est pas moi,” and “Une Gardeuse d’enfants” were the chief, he received a medal of the second class, and the ribbon of the legion of honour. ”

“ Hamon was therefore content to accept a place in the manufactory of Sèvres, but an enamelled casket by his hand having attracted notice at the London International Exhibition of 1851, he received a medal, and, reinspired by success, left his post to try his chances again at the Salon of 1852. ”

“ In the following year he was absent in the East, but in 1857 he reappeared with “Boutique à quatre sous,” “Papillon enchaîné,” “Cantharide esclave,” “Dévideuses,” &c., in all ten pictures; “L’Amour en visite” was contributed to the Salon of 1859, and “Vierge de Lesbos,” “Tutelle,” “La Volière,” “L’Escamoteur” and “La Sœur aînée” were all seen in 1861. ”