“ While it cannot be doubted that Hullah would have won more success if he had not opposed the Tonic Sol-Fa movement so strenuously, it must be confessed that his work was of great value, for he kept constantly in view and impressed upon all who followed him or learnt from him the supreme necessity of maintaining the artistic standard of the music taught and studied, and of not allowing trumpery compositions to usurp the place of good music on account of the greater ease with which they could be read. ”

“ He was a pupil of William Horsley from 1829, and entered the Royal Academy of Music in 1833. He wrote an opera to words by Dickens, The Village Coquettes, produced in 1836; The Barbers of Bassora in 1837, and The Outpost in 1838, the last two at Covent Garden. From 1839, when he went to Paris to investigate various systems of teaching music to large masses of people, he identified himself with Wilhem’s system of the “fixed Do,” and his adaptation of that system was taught with enormous success from 1840 to 1860. ”

“ In 1872 he was appointed by the Council of Education musical inspector of training schools for the United Kingdom. In 1878 he went abroad to report on the condition of musical education in schools, and wrote a very valuable report, quoted in the memoir of him published by his wife in 1886. ”