Summary

1911 Encyclopædia Britannica, Volume 20… (1911)

His reputation being now firmly established, he settled for some years at Naples, where, notwithstanding the popularity of Piccini, Cimarosa and Guglielmi, of whose triumphs he was bitterly jealous, he produced a series of highly successful operas, one of which, L’Idolo cinese, made a deep impression upon the Neapolitan public.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 20… (1911)

Paisiello conducted the music of the court in the Tuileries with a stipend of 10,000 francs and 4800 for lodging, but he entirely failed to conciliate the Parisian pubHc, who received his opera Proserpine so coldly that, in 1803, he requested and with some difficulty obtained permission to return to Italy, upon the plea of his wife’s ill health. On his arrival at Naples Paisiello was reinstated in his former appointments by Joseph Bonaparte and Murat, but he had taxed his genius beyond its strength, and was unable to meet the demands now made upon it for new ideas.
Source: Wikisource

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