Summary

1911 Encyclopædia Britannica, Volume 8… (1911)

The historical and patriotic poems of Deschamps are of much greater value. He does not, like Froissart, cast a glamour over the miserable wars of the time but gives a faithful picture of the anarchy of France, and inveighs ceaselessly against the heavy taxes, the vices of the clergy and especially against those who enrich themselves at the expense of the people. The terrible ballad with the refrain “Sà, de l’argent; sà, de l’argent” is typical of his work. Deschamps excelled in the use of the ballade and the chant royal.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 8… (1911)

Deschamps was the author of an Art poétique, with the title of L’Art de dictier et de fere chancons, balades, virelais et rondeaulx. Besides giving rules for the composition of the kinds of verse mentioned in the title he enunciates some curious theories on poetry. He divides music into music proper and poetry. Music proper he calls artificial on the ground that everyone could by dint of study become a musician; poetry he calls natural because he says it is not an art that can be acquired but a gift.
Source: Wikisource

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