Summary

Portrait of A. E. W. Mason A. E. W. Mason The Witness for the Defence — IV: Jane Repton (1914)

Thresk abandoned all attempt to fence with her. Mrs. Repton was not of those women who would lightly give their women-friends away. Her phrase "my Stella" had, besides, revealed a world of love and championship. Thresk warmed to her because of it. He threw reticence to the winds.
"I am going to give you the real reason, Mrs. Repton. I saw her photograph this afternoon on Mrs. Carruthers' piano, and it left me wondering whether happiness could set so much character in a woman's face."
Mrs. Repton shrugged her shoulders.
"Some of us age quickly here."
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Witness for the Defence — IV: Jane Repton (1914)

She was baffled and she was little likely, as she knew, to get any light.
"If you take the man you know best of all," she used to say, "you still know nothing at all of what he's like when he's alone with a woman, especially if it's a woman for whom he cares—unless the woman talks."
Very often the woman does talk and the most intimate and private facts come in a little while to be shouted from the housetops. But Stella Ballantyne did not talk. She had talked once, and once only, under a great stress to Jane Repton; but even then Thresk had nothing to do with her story at all.
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Witness for the Defence — IV: Jane Repton (1914)

Mrs. Repton wanted to speak. Thresk gave her confidence. He seemed to be a man without many illusions, he was no romantic sentimentalist. She went back to the poem of which the lines had been chasing one another through her head all through this dinner, as a sort of accompaniment to their conversation. Had he found it out? she asked herself—
"The world and what it fears."
Thus she hung hesitating while Mrs. Carruthers gathered in her hands her gloves and her fan. There was a woman at the other end of the table however who would not stop talking.
Source: Wikisource

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