Summary

Portrait of Agatha Christie Agatha Christie At the 'Bells and Motley'

The marriage, the disappearance and the nine days' wonder! What more natural than that a brokenhearted woman should want to sell everything that reminds her of past happiness? The American is a connoisseur, the things are genuine and beautiful, some of them beyond price. He makes an offer, she, accepts it. She leaves the neighbourhood, a sad and tragic figure. The great coup has come off. The eye of the public has been deceived by the quickness of the hand and the spectacular nature of the trick.
Mr. Satterthwaite paused, flushed with triumph.
Source: Wikisource

Portrait of Agatha Christie Agatha Christie At the 'Bells and Motley'

Mr. Satterthwaite, in spite of his earnest wish to discountenance any suggestion that might possibly be made to him he was in that mood-nevertheless looked down the road toward the creaking inn sign with faint inward approval. He was a man of birdlike appetite, an epicure; but even such men can be hungry.
"The Bells and Motley," he said thoughtfully. "That's an odd name for an inn.
Source: Wikisource

Portrait of Agatha Christie Agatha Christie At the 'Bells and Motley'

Mr. Satterthwaite leaned forward, his eyes shining. "There is something in that. It is an idea."
He went on softly: "The pistol shot. What was the pistol shot in the conjuring trick we are discussing? What is the spectacular moment that holds the imagination?"
He drew in his breath sharply.
"The disappearance," breathed Mr. Satterthwaite. "Take that away, and it leaves nothing."
"Nothing? Suppose things took the same course without that dramatic gesture."
"You mean-supposing Miss Le Couteau were still to sell Ashley Grange to Mr. Bradburn and leave-for no reason?"
Source: Wikisource

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