Summary

Portrait of Algernon Blackwood Algernon Blackwood Ten Minute Stories — Violence

He would fly into the place of rest, not sink or merely float; and he remembered the view from his bedroom window, high over old smoky London town, with a drop of eighty feet onto the pavements. Yes, that was the best way. He waited a moment, trying to think it all out clearly, but one moment the fish had it, and the next the birds. It was really impossible to decide. Was there no one who could help him, no one in all this enormous town who was sufficiently on his side to advise him on the point? Some clearheaded, experienced, kindly man?
And the face of Dr. Hancock flashed before his vision.
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Portrait of Algernon Blackwood Algernon Blackwood Ten Minute Stories — Violence

Movement was cramped. “Ah, then I’ve had a stroke,” he thought, as Hancock pressed him, ever so gently, back into the big chair. “Do not get up,” he said soothingly but with authority; “sit where you are and rest. You must take it very easy for a bit; like all clever men who have overworked⁠—”
“I’ll get in the moment he turns,” thought Leidall. “I did it badly before. It must be through the back of his head, of course, where the spine runs up into the brain,” and he waited till Hancock should turn.
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Portrait of Algernon Blackwood Algernon Blackwood Ten Minute Stories — Violence

But Hancock never turned. He kept his face towards him all the time, while he chatted, moving gradually nearer to the door. On Leidall’s face was the smile of an innocent child, but there lay a hideous cunning behind that smile, and the eyes were terrible.
“Are those bars firm and strong,” asked Leidall, “so that no one can get in?” He pointed craftily, and the doctor, caught for a second unawares, turned his head. That instant Leidall was upon him with a roar, then sank back powerless into the chair, unable to move his arms more than a few inches in any direction.
Source: Wikisource

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