Anna Alice Chapin

Anna Alice Chapin

Summary

Portrait of Anna Alice Chapin Anna Alice Chapin The Woman With a Past — XI.—The Only Way (1912–14)

Nothing but Phyllis Grant's exquisite idealism could have transformed him into the semblance of a fairy prince. Pippa thanked Heaven that she was in time. The child should be saved from the influence of such a man at any cost.
And she was in time. She knew very well, within ten minutes of their meeting, that she could do what she liked with Basil Coverley. This fact in itself aroused a fiercer sense of resentment and antagonism on the girl's account. And as her anger rose, her eyes grew brighter and more dangerous as she looked at him.
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin The Woman With a Past — XI.—The Only Way (1912–14)

Carpenter as the most charming woman she had ever met. And what was happening before her? Both her idols were tottering upon their pedestals, changing from moment to moment into persons as foreign to her understanding as beings from another planet. Her wide, little-girl eyes turned from one face to the other in a vaguely pained bewilderment.
Phyllis had seen women flirt before, but it had been ordinary flirting, either brazen or silly. She had never seen a clever and fascinating and high-bred woman make herself deliberately charming in order to attract a man.
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin The Woman With a Past — XI.—The Only Way (1912–14)

Carpenter was always beautifully gowned and daintily groomed, but to-day she was in some obscure way more exquisite, in all ways more perfect. Phyllis Grant had never seen any one so charming to look upon. There are few women who do not know on occasion how to present themselves at the greatest advantage; and Pippa Carpenter knew more about it than most women!
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature