Anne Douglas Sedgwick

Anne Douglas Sedgwick

Summary

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 2… (1924)

Toppie mused on Alix. But then, alas, she came back to Alix's mother. “The same in loveliness; the same in dignity and security.—In what ways different, then, Giles?”
He knew that there was hardly anything he could say of madame Vervier that it would not be unwise to say. He watched an ant, disturbed by his change of posture, thread its anxious way amongst the tufts of heather and felt that he was like the ant. He, too, must go forward and find the path that promised most safety. “Well, she's more impulsive, I feel; more selfish; less fastidious.”
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 2… (1924)

And Toppie, too, was silent for a moment. When she spoke it was carefully, as if guiding their steps away from a menace to their quiet.
“That's a charming compliment, Giles,” she said. “I sometimes think, shambling and shabby though you call yourself, that you are a poet as well as a philosopher. But I'm sorry, you know, to feel madame Vervier lose by what I gain. Owen always wrote of her as someone he so wanted me to know. I can't believe he'd have wanted me to know anyone who was worldly and luxurious and meretricious. I can't help feeling that you must be unjust.”
Source: Wikisource

Portrait of Anne Douglas Sedgwick Anne Douglas Sedgwick The Little French Girl — Part 2… (1924)

Perhaps you will tell me.”
“Toppie, this is absurd, you know,” Giles muttered, staring down. “You put me in a ridiculous position. It upsets one, naturally, to be cross-questioned as if one were a shifty witness in the witness-box. People are complicated and contradictory creatures. One can't draw a consistent picture of them. On one side of her nature madame Vervier may be weak and erring and on the other she may be like a goddess.
Source: Wikisource

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