Arthur E. P. Brome Weigall

Summary

Arthur E. P. Brome Weigall Burning Sands

When at last the meal was finished, and cleared away, and she and Daniel were seated in the deck chairs at the open window to drink their coffee, Muriel felt that the whole world of actuality had slid from her, leaving her enthroned with her lover in a palace of glorious dream; and when, out of the darkness of the palm-groves below, there came to their ears the distant and wandering sound of a flute, played by some unseen goatherd passing homewards with his flock, the magic of the desert was almost overpowering in the measure of its enchantment.
Source: Gutenberg

Arthur E. P. Brome Weigall Burning Sands

And Muriel had been as blind as the blindest of them. She only played with life—skimmed over the surface, snatching at such pleasures as lay to hand.
If she had turned her back on her dances and her parties, and had come to him and had said, “Take me into the desert for ever,” he would have believed in her love, and nothing could have held them apart; but, whether correctly or incorrectly he knew not, he had had the impression that she had wished to fill but an idle hour with the sweets of love, just as, so it seemed to him, all fair women of Mayfair were wont to do.
Source: Gutenberg

Arthur E. P. Brome Weigall Burning Sands

Daniel answered, quickly, interrupting him. “The gay life makes me painfully serious; this fashionable stuff fills me with gloom. It’s all this blasted chase after amusement, this immense preoccupation with the surface of things, that gives me the hump. You see, to my way of thinking, light-heartedness only comes from a tranquil sort of mind. It’s something deep inside oneself; one doesn’t get it from outside—though, on the other hand, outside things do certainly obscure one’s inner vision. Real happiness—not just pleasure—seems to be absolutely essential to life and to all human relations.
Source: Gutenberg

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