Summary

Portrait of Arthur Morrison Arthur Morrison Tales of mean streets — SQUIRE NAPPER (1894)

There was not merely one lawyer, which would be bad enough, but two of them in a partnership; and to take the missis, whose intellects, being somewhat flighty, were quickly divertible by the palaver of which a lawyer was master, would be to distract and impede his own faculties. A male friend might not have been so bad, but Bill could not call to mind one quite cute enough to be of any use, and in any case such a friend would have to be paid for the loss of his day's work.
Source: Wikisource

Portrait of Arthur Morrison Arthur Morrison Tales of mean streets — SQUIRE NAPPER (1894)

Thus far the outward and visible signs of the Napper wealth were these: the separate house; the barrel of beer; a piano—not bought as a musical instrument, but as one of the visible signs; a daily paper, also primarily a sign; the bonnets and dresses of the missis; and the perpetual possession of Bill Napper by a varying degree of fuddlement. An inward and dissembled sign was a regiment, continually reinforced, of mostly empty bottles, in a cupboard kept sacred by the missis.
Source: Wikisource

Portrait of Arthur Morrison Arthur Morrison Tales of mean streets — SQUIRE NAPPER (1894)

Then Bill would say, "Now come the Rights o' Labor caper." Whereupon Minns would take a pull at the pot, and proceed to denounce Capital, Bill Napper applauding or groaning at the pauses provided for those purposes. And so on with whatever subjects appealed to the patron's fancy. It was a fancy that sometimes put the orator's invention to grievous straits; but for Bill the whole performance was peculiarly privileged and dignified. For to have an orator gesticulating and speechifying all to one's self, on one's own order and choice of subject, is a thing not given to all men.
Source: Wikisource

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