Aubrey F. G. Bell

Summary

Aubrey F. G. Bell Portuguese portraits (1917)

There is something infinitely touching in this story about a man who was usually so calm and restrained that he might be in a passion of anger and only show it—to those who knew him—by his smile, and whose whole life was marked by exceptional strength of will. But his old vigour returned, and very soon he was challenging the Master of Santiago, begging him not to tire himself in advancing through so hot a country, as he, “Nun’ Alvarez Pereira, Count of Barcellos and of Ourem and of Arrayolos and Constable of my Lord the King of Portugal,” would save him the trouble.
Source: Gutenberg

Aubrey F. G. Bell Portuguese portraits (1917)

For indeed the half-century (1498-1548) between the voyage of Vasco da Gama and the death of Dom João de Castro is thick with names; the great men tread on one another’s heels in the halls of fame, worthily continuing the work of their predecessors during four centuries in Portugal. Sousa, Mello, Meneses, Cunha, Castro, Noronha, Mascarenhas, Coutinho, Pereira, Pacheco, Almeida, Azevedo, Sá, Silva, Silveira—these are names the very catalogue of which must be music to a Portuguese, and which would require a large volume to chronicle in detail.
Source: Gutenberg

Aubrey F. G. Bell Portuguese portraits (1917)

One of the accusations of his captains was that he wished to make himself King of Ormuz.
They little knew their man. To expect Albuquerque, whose dreams of conquest were as wide and magnificent as those of Alexander, to vegetate as King of Ormuz was a mistake as colossal as to believe that Napoleon could be content to rule Elba. There can be no doubt that Albuquerque was unjustly treated by men incapable of understanding him, all the more so in that Almeida’s term of office was up and by right it was Albuquerque and not he who should have been governing India.
Source: Gutenberg

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