Summary

Portrait of Bret Harte Bret Harte From Sand Hill to Pine

But I didn't believe him—Miss Trotter!—I know you wouldn't do it—you haven't got it in your heart to hurt a poor girl! He says he has every confidence in you—that you're worth a dozen such girls as she is, and that I'm a big fool or I'd see it. I don't say you're not all he says, Miss Trotter; but I'm not such a fool as he thinks, for I know your GOODNESS too. I know how you tended me when I was ill, and how you sent Frida to comfort me. You know, too,—for you're a woman yourself,—that all you could say, or anybody could, wouldn't separate two people who loved each other.
Source: Gutenberg

Portrait of Bret Harte Bret Harte From Sand Hill to Pine

But Brice had already seen that which, while it shocked him, was urging him forward with an invincible fascination. Gently releasing himself, and bidding the girl stand back, he moved toward the unsightly heap. Gradually it disclosed a grotesque caricature of a human figure, but so maimed and doubled up that it seemed a stuffed and fallen scarecrow. As is common in men stricken suddenly down by accident in the fullness of life, the clothes asserted themselves before all else with a hideous ludicrousness, obliterating even the majesty of death in their helpless yet ironical incongruity.
Source: Gutenberg

Portrait of Bret Harte Bret Harte From Sand Hill to Pine

Brice followed the direction of her eyes. On a protruding bush at the edge of one of the wooded clefts of the mountain flank something was hanging, and in the freshening southerly wind was flapping heavily, like a raven's wing, or as if still saturated with the last night's rain. “That's mighty queer!” said Flo, gazing intently at the unsightly and incongruous attachment to the shrub, which had a vague, weird suggestion. “It wasn't there yesterday.”
“It looks like a man's coat,” remarked Brice uneasily.
“Whew!” said the girl. “Then somebody has come down who won't go up again!
Source: Gutenberg

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