Charles Dickens

Charles Dickens

Summary

Portrait of Charles Dickens Charles Dickens,  Barnaby Rudge — Chapter 7 (1841)

“ It was the voice of Miggs that greeted the locksmith, when he knocked at his own house, with a shrill cry of ‘Who’s there?’
‘Me, girl, me,’ returned Gabriel.
What, already, sir!’ said Miggs, opening the door with a look of surprise. ‘We were just getting on our nightcaps to sit up,—me and mistress. Oh, she has been so bad!’
Miggs said this with an air of uncommon candour and concern; but the parlour-door was standing open, and as Gabriel very well knew for whose ears it was designed, he regarded her with anything but an approving look as he passed in.
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Source: Wikisource

Portrait of Charles Dickens Charles Dickens,  Barnaby Rudge — Chapter 7 (1841)

“ Miggs, carry the light.—YOU can be cheerful, Miggs, at least’
Miggs, who, to this moment, had been in the very depths of compassionate despondency, passed instantly into the liveliest state conceivable, and tossing her head as she glanced towards the locksmith, bore off her mistress and the light together.
‘Now, who would think,’ thought Varden, shrugging his shoulders and drawing his chair nearer to the fire, ‘that that woman could ever be pleasant and agreeable? And yet she can be. Well, well, all of us have our faults.
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Source: Wikisource

Portrait of Charles Dickens Charles Dickens,  Barnaby Rudge — Chapter 7 (1841)

“ Indeed the worthy housewife was of such a capricious nature, that she not only attained a higher pitch of genius than Macbeth, in respect of her ability to be wise, amazed, temperate and furious, loyal and neutral in an instant, but would sometimes ring the changes backwards and forwards on all possible moods and flights in one short quarter of an hour ”
Source: Wikisource

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