Summary

Portrait of Clark Ashton Smith Clark Ashton Smith Ebony and Crystal — From the Crypts of Memory (1917)

Our days were spent in roaming through the ruins of lone and immemorial cities, whose palaces of fretted copper, and streets that ran between lines of carven golden obelisks, lay dim and ghastly with the dead light, or were drowned forever in seas of stagnant shadow; cities whose vast and iron-builded fanes preserved their gloom of primordial mystery and awe, from which the simulacra of century- forgotten gods looked forth with unalterable eyes to the hopeless heavens, and saw the ulterior night, the ultimate oblivion.
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith Ebony and Crystal — From the Crypts of Memory (1917)

And over all was the black funereal vault of the cryptic heavens—a dome of infinite shadows, where the dismal sun, suspended like a sole, enormous lamp, failed to illumine, and drawing back its fires from the face of the irresolvable a baffled and despairing beam on the vague remote horizons, and shrouded vistas illimitable of the visionary land.
Source: Wikisource

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