E. M. Forster

E. M. Forster

Summary

Portrait of E. M. Forster E. M. Forster Pharos and Pharillon — Pharos (1923)

There really were crabs at Alexandria, but of copper, quite small, and standing under Cleopatra's Needle; America possesses one to-day. Oriental imagination mixed two monuments into one, and caused a Moorish army to invade the Pharos and to ride through its three hundred rooms. The entrance gate vanished, and they could not find their way out, but ever descending the spirals came at last to the glass crab, slipped through a crack in its back and were drowned. Happier, though equally obscure, was the fate of another visitor, the poet El Deraoui.
Source: Wikisource

Portrait of E. M. Forster E. M. Forster Pharos and Pharillon — Pharos (1923)

Peter's was to be identified with Rome, so, to the imagination of contemporaries, "The Pharos" became Alexandria and Alexandria the Pharos. Never, in the history of architecture, has a secular building been thus worshipped and taken on a spiritual life of its own. It beaconed to the imagination, not only to ships, and long after its light was extinguished memories of it glowed in the minds of men.
Source: Wikisource

Portrait of E. M. Forster E. M. Forster Pharos and Pharillon — Pharos (1923)

The visitor to Alexandria receives nothing in the way of hospitality except some water and a description of Pompey's Pillar.
Those who make a special effort sometimes give him a little fresh air too, and tell him where the Pharos is, adding a sketch of the sea and its waves and an account of the large Greek ships.
The visitor need not aspire to receive any bread, for to an application of this type there is no reply.
As a rule, life in its shadow is an earthly ecstasy that may even touch heaven.
Source: Wikisource

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