Summary

Portrait of E. M. Forster E. M. Forster Pharos and Pharillon — The Poetry of C. P. Cavafy (1923)

Yet to some of them, as they traverse the streets, a delightful experience can occur. They hear their own name proclaimed in firm yet meditative accents—accents that seem not so much to expect an answer as to pay homage to the fact of individuality. They turn and see a Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe. His arms are extended, possibly. "Oh, Cavafy...!" Yes, it is Mr. Cavafy, and he is going either from his flat to the office, or from his office to the flat.
Source: Wikisource

Portrait of E. M. Forster E. M. Forster Pharos and Pharillon — The Poetry of C. P. Cavafy (1923)

Such a writer can never be popular. He flies both too slowly and too high. Whether subjective or objective, he is equally remote from the bustle of the moment, he will never compose either a Royalist or a Venizelist Hymn. He has the strength (and of course the limitations) of the recluse, who, though not afraid of the world, always stands at a slight angle to it, and, in conversation, he has sometimes devoted a sentence to this subject. Which is better—the world or seclusion? Cavafy, who has tried both, can't say. But so much is certain—either life entails courage, or it ceases to be life.
Source: Wikisource

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