Edgar Wallace

“ Lydia's smile left her face. She heard the girl gasp.
"You old liar!" she hissed.
"Lucy Jones you call yourself—you used to be Mary Welch in them days," chuckled old Jaggs.
"I'm not going to be insulted," almost screamed Lucy, though there was a note of fear in her strident voice. "I'm going to leave to-night."
"No you ain't, my dear," said old Jaggs complacently. "You're going to sleep here to-night, and you're going to leave in the morning. If you try to get out of that door before I let you, you'll be pinched."
"They've got nothing against me," the girl was betrayed into saying. ”

“ Jaggs," she said.
"Better than you like me, I gather from your tone," smiled Jack. "He's not a bad old boy."
"He is a very strong old boy," she said. "He lifted me as though I were a feather—I don't know now how I escaped. The steering gear went wrong," she explained unnecessarily.
"Dear me," said Jack politely, "and it went right again in time to enable the chauffeur to keep clear of Briggerland and his angel daughter!"
She gave a gesture of despair.
"You're hopeless," she said. "These things happened in the dark ages; men and women do not assassinate one another in the twentieth century." ”

“ The old man knuckled his forehead.
"I'm just having an argument with your young lady."
"Do you say she is a thief?"
"Of course she is, miss," said Jaggs scornfully. "You ask her!"
But Lucy had gone into her room, slammed the door and locked it.
The next morning when Lydia woke, the flat was empty, save for herself. But she had hardly finished dressing when there came a knock at the door, and a trim, fresh-looking country girl, with an expansive smile and a look of good cheer that warmed Lydia's heart, appeared.
"You're the lady that wants a maid, ma'am, aren't you?" ”