Edgar Wallace

Edgar Wallace

Summary

Portrait of Edgar Wallace Edgar Wallace The Just Men of Cordova — XII. (1917)

Black’s hand closed on his arm. “Drop it, you fool,” he muttered. “Are you going to give away the fact that you are broke to the world before all these people? You’re beaten fairly enough. I’ve lost as much as you have. Get out of this.”
Sir Isaac Tramber went down the stairs of the grand-stand in the midst of a throng of people, all talking at once in different keys. He was dazed. He was more like a man in a dream. He could not realize what it meant to him. He was stunned, bewildered. All that he knew was that Timbolino had lost.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace The Just Men of Cordova — XII. (1917)

A hundred yards from the post the boy on Gresham’s filly shook her up, and in half a dozen strides she had drawn abreast of the leader.
The rider of Timbolino saw the danger—he pushed his mount, working with hands and heels upon the willing animal under him.
They were running now wide of each other, dead level. The advantage, it seemed, lay with the horse on the rails, but Horace, watching with an expert eye from the top of the stand, knew that the real advantage lay with the horse in the middle of the track.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace The Just Men of Cordova — XII. (1917)

Sir Isaac’s—grey vertical stripes on white, yellow cap—was also easy to see. He had drawn the inside right.
The field was giving the starter all the trouble that twenty-four high- spirited thoroughbreds could give to any man. For ten minutes they backed and sidled and jumped and kicked and circled before the two long tapes. With exemplary patience the starter waited, directing, imploring almost, commanding and, it must be confessed, swearing, for he was a North-country starter who had no respect for the cracks of the jockey world.
Source: Wikisource

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