Summary

Portrait of Edmund Burke Edmund Burke On the Sublime and Beautiful — Chapter 20

The fact itself must be determined by every man’s own experience and reflection. I have already observed, [1] that night increases our terror, more perhaps than anything else; it is our nature, when we do not know what may happen to us, to fear the worst that can happen; and hence it is, that uncertainty is so terrible, that we often seek to be rid of it, at the hazard of certain mischief. Now, some low, confused, uncertain sounds, leave us in the same fearful anxiety concerning their causes, that no light, or an uncertain light, does concerning the objects that surround us.
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Portrait of Edmund Burke Edmund Burke On the Sublime and Beautiful — Chapter 20

I HAVE hitherto purposely omitted to speak of the eye, which has so great a share in the beauty of the animal creation, as it did not fall so easily under the foregoing heads, though in fact it is reducible to the same principles. I think, then, that the beauty of the eye consists, first, in its clearness; what coloured eye shall please most, depends a good deal on particular fancies; but none are pleased with an eye whose water (to use that term) is dull and muddy.
Source: Wikisource

Portrait of Edmund Burke Edmund Burke On the Sublime and Beautiful — Chapter 20

If it appears that smoothness is a principal cause of pleasure to the touch, taste, smell, and hearing, it will be easily admitted a constituent of visual beauty; especially as we have before shown, that this quality is found almost without exception in all bodies that are by general consent held beautiful. There can be no doubt that bodies which are rough and angular, rouse and vellicate the organs of feeling, causing a sense of pain, which consists in the violent tension or contraction of the muscular fibres.
Source: Wikisource

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