Summary

Portrait of Edmund Burke Edmund Burke On the Sublime and Beautiful — Chapter 25

The passion excited by beauty is in fact nearer to a species of melancholy, than to jollity and mirth. I do not here mean to confine music to any one species of notes, or tones, neither is it an art in which I can say I have any great skill. My sole design in this remark is, to settle a consistent idea of beauty. The infinite variety of the affections of the soul will suggest to a good head, and skilful ear, a variety of such sounds as are fitted to raise them.
Source: Wikisource

Portrait of Edmund Burke Edmund Burke On the Sublime and Beautiful — Chapter 25

Untwisting all the chains that tie The hidden soul of harmony. Let us parallel this with the softness, the winding surface, the unbroken continuance, the easy gradation of the beautiful in other things; and all the diversities of the several senses, with all their several affections, will rather help to throw lights from one another to finish one clear, consistent idea of the whole, than to obscure it by their intricacy and variety.
Source: Wikisource

Portrait of Edmund Burke Edmund Burke On the Sublime and Beautiful — Chapter 25

The first is; that the beautiful in music will not bear that loudness and strength of sounds, which may be used to raise other passions; nor notes which are shrill, or harsh, or deep; it agrees best with such as are clear, even, smooth, and weak. The second is; that great variety, and quick transitions from one measure or tone to another, are contrary to the genius of the beautiful in music.
Source: Wikisource

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