Summary

Portrait of Edward Bellamy Edward Bellamy,  Dr. Heidenhoff's Process — Chapter III (1880)

“ Madeline would have risen and left Henry, but she was too proud to let him think that she was afraid of him.. Neither was she afraid, but she was confused, and momentarily without her usual self-confidence. One reason for her running off with Tom had been to get a chance to think. No girl, however coolly her blood may flow, can be pressed to a man's breast, wildly throbbing with love for her, and not experience some agitation in consequence. Whatever may be the state of her sentiments, there is a magnetism in such a contact which she cannot at once throw off. ”
Source: Wikisource

Portrait of Edward Bellamy Edward Bellamy,  Dr. Heidenhoff's Process — Chapter III (1880)

“ He touched the swing-rope as fondly as if it were an electric chain that could communicate the caress to her. Tom Longman, having done all the work that offered itself, had been wandering about in a state of acute embarrassment, not daring to join himself to any of the groups, much less accost a young lady who might be alone. As he drifted near the swing, Madeline said to Henry--
"You may stop swinging me now. I think I'd like to go out rowing." The young man's cup seemed running over.
”
Source: Wikisource

Portrait of Edward Bellamy Edward Bellamy,  Dr. Heidenhoff's Process — Chapter III (1880)

“ She called to Tom, and as he came up, grinning and shambling, she indicated to him her pleasure that he should row her upon the river. The idea of being alone in a small boat for perhaps fifteen minutes with the belle of Newville, and the object of his own secret and distant adoration, paralysed Tom's faculties with an agony of embarrassment. He grew very red, and there was such a buzzing in his ears that he could not feel sure he heard aright, and Madeline had to repeat herself several times before he seemed to fully realize the appalling nature of the proposition. ”
Source: Wikisource

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