Eleanor H. Porter

Eleanor H. Porter

Summary

Portrait of Eleanor H. Porter Eleanor H. Porter The Cat and the Painter (1904)

It represented the interior of an artist's studio, and the rich hangings, statuary, and old armor had given Heywood an opportunity for a particularly fine bit of work. The whole was but the setting for four yellow kittens—the cleverest, most fascinating yellow kittens in the world, peeping from behind curtains, tumbling among the rugs, rolling over tubes of paint—life-like, bewitching, and altogether perfection.
Source: Wikisource

Portrait of Eleanor H. Porter Eleanor H. Porter The Cat and the Painter (1904)

At his sudden move, the kitten turned. With a run and a spring she was in his lap, purring and rubbing against his hands and coat; in another moment she was on his shoulders, curled around his neck like a boa—a position Miss Dorothy had taught her with much labor and pains.
"Wonderful! Just see how she takes to you!" exclaimed Mrs. Merriam with a shade of envy in her voice. "If signs count for anything, Mr. Heywood, you're a lucky man."
Source: Wikisource

Portrait of Eleanor H. Porter Eleanor H. Porter The Cat and the Painter (1904)

The Art Exhibition was now but a month distant, and the frequent presence of Her Majesty in the artist's studio was most necessary. For a week she was closely guarded and the picture grew apace; then one day she disappeared. High and low they searched, but all in vain. Her Majesty was gone.
Across the square Miss Dorothy was tenderly caressing an animated ball of yellow fur.
"Queenie, Queenie, what does this mean? What am I to think when you run away from me so? Who are your new friends that insist on tying these odious blue ribbons around your neck?"
Source: Wikisource

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