G. B. Lancaster

G. B. Lancaster

Summary

Portrait of G. B. Lancaster G. B. Lancaster,  In Tinlay's Wharè (1905)

“ It was Tinlay’s weka that came with its shadow before it, and heard Clint making incoherent prayer and breaking into laughter of relief. For a weka is above all things companion to lonely men, by reason of its knowledge that the heavy, powerful mystery of the bush is really just a delicate and transparent joke. And this gives the human much confidence. ”
Source: Wikisource

Portrait of G. B. Lancaster G. B. Lancaster,  In Tinlay's Wharè (1905)

“ But when the fern was spread, and the gray blankets over, and the firelight ran into all the wharè corners, a restlessness caught Clint, so that he overhauled carefully the nine-by-twelve space that had held Tinlay’s private life.
Such outposts as these tell more of a man than his tongue or his face will give. Besides, it is decreed that each soul must influence other souls directly or indirectly. This was why the personality of Tinlay became blatantly real to Clint very presently.
”
Source: Wikisource

Portrait of G. B. Lancaster G. B. Lancaster,  In Tinlay's Wharè (1905)

“ But the men of the back-country need not to have coward blood in their hearts. Clint shook himself, and went out from the bush to the free, windy hillside. There he said defiantly to his dog:
“Simple thing, in course. Branches makes a shadder on the floor, an’ Tinlay carves the shadder. The lay o’ the moonlight alters the expression—an’ that’s all there is to’t. Blest if I don’t worry that nose out from the ole shadder myself.”
He felt brave as a man may be when he laid block and knife in the bunk beside him.
”
Source: Wikisource

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