George Fleming

Summary

George Fleming,  Vestigia. Vol. I

“ A gentleman's a gentleman, I say. It never was so much of a world to boast of at the best, and when it comes to a new tax upon the wine, and not so much as the prospect of half a day's holiday just to make a feast for the blessed Madonna of Monte Nero,—and common workmen who go about throwing five-franc notes in your face, as if the world had gone mad. I like consistency, that's what I say,' retorted Beppi, in a voice which grew gradually lower as he looked from the note between his finger and thumb at Dino's receding figure. ”
Source: Gutenberg

George Fleming,  Vestigia. Vol. I

“ He looked at Italia: he looked with almost more than a woman's sensitiveness, to material impressions at the gallant and determined bearing of the man beside her, whose frank and noble beauty was only like an additional distinction—an emphasis of class differences. No devout believer in the divinest rights of kings could have recognised those differences more keenly than Dino did at that moment. For there is nothing ambiguous in the secret language of jealousy: 'And they say—we say—that one man is as good as another without regard to his rank! I was a fool—a fool,' De Rossi reflected bitterly. ”
Source: Gutenberg

George Fleming,  Vestigia. Vol. I

“ But there! 'tis I am keeping the Captain from his music after all,' old Drea said, with an apologetic laugh.
Italia had taken her guitar from Dino's hands; she took it with a smile and a blush, as she had taken the Captain's pretty speeches, and moved away to the other end of the room. Her voice was the lowest, sweetest contralto. When she began to sing her face grew serious and composed.
'Why does Italia look so unhappy as that? She looks like one of the saints on the cathedral window, as if she were saying her prayers,' Palmira whispered into Lucia's ear.
”
Source: Gutenberg

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