Summary

Portrait of George W. M. Reynolds George W. M. Reynolds Wagner the Wehr-wolf — CHAPTER XVIII: FLORA FRANCATELLI - THE THREE NUNS - THE CHAIR. (1846)

Yes, a maiden's first love is ever a source of solace amidst the gloom of affliction; because it is so intimately intertwined with hope! For the soul of the innocent, artless girl who fondly loves, soars aloft in a heaven of her own creation, dove-like on the wings of faith!
It was already late when Flora began to unbraid and set at liberty her dark brown tresses, preparatory to retiring to rest, when a low knock at the chamber-door startled her in the midst of her occupation.
Source: Wikisource

Portrait of George W. M. Reynolds George W. M. Reynolds Wagner the Wehr-wolf — CHAPTER XVIII: FLORA FRANCATELLI - THE THREE NUNS - THE CHAIR. (1846)

An oppressive sensation came over her; and she was about to sink back upon the couch from which she had risen, when the hymn suddenly ceased—the nuns rose from their suppliant posture—and the foremost, addressing the poor girl in a reproachful tone, exclaimed, "Oh! wicked—worldly-minded creature, repent—repent—repent!"
There was something so awful—so appalling—in this strange conduct on the part of the nuns, that Flora began to doubt whether she were not laboring under some terrible delusion.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature