Summary

Portrait of Gilbert Parker Gilbert Parker Carnac's Folly, Volume 1

He wants nothing from anybody. He needs no one; he follows no one—except me. Yes, he follows—he loves me.
She watched her husband till he almost viciously thrust aside the bushes staying his progress, and broke into the space by the pear-tree where Carnac sat with palette and brush, gazing at the distant roofs on which the sun was leaving its last kiss.
Carnac got to his feet with a smile, and with a courage in his eye equal to that which had ever been in his father's face—in the face of John Grier.
Source: Gutenberg

Portrait of Gilbert Parker Gilbert Parker Carnac's Folly, Volume 1

It was not possible this boy could fit in with a life where, in one sense, he did not belong. It was not part of her sorrow that he had given himself to painting and sculpture. In her soul she believed this might be best for him in the end. She had a surreptitious, an almost anguished, joy in the thought that he and John Grier could not hit it off. It seemed natural that both men, ignorant of their own tragedy, believing themselves to be father and son, should feel for each other the torture of distance, a misunderstanding, which only she and one other human being understood.
Source: Gutenberg

Portrait of Gilbert Parker Gilbert Parker Carnac's Folly, Volume 1

You thought I'd be a martyr for love of John Grier—and cold cash, did you? That isn't the way the blood runs in my veins. I think John Grier might get out of the business now, if he's tired, and sell it and let some one else run it. John Grier is not in want. If he were, I'd give up everything to help him, and I'd not think I was a martyr. But I've a right to make my own career. It's making the career one likes which gets one in the marrow. I'd take my chances of success as he did. He has enough to live on, he's had success; let him get down and out, if he's tired.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature