Guy Wetmore Carryl

Guy Wetmore Carryl

Summary

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl The Transgression of Andrew Vane… (1904)

Wait a moment!” — as Andrew was about to speak — “let me explain. I’m not the sort that cuts into other people’s affairs as a rule. I detest meddling, and ordinarily I don’t want to be bothered with what doesn’t concern me. But I like you, Vane — I do, heartily. I’d be more sorry than a little to see you in trouble. What’s more, I feel to a certain extent responsible, as I was the one to introduce you. Well, then — suppose you leave the whole affair to me. I know the world, and especially Paris, and more especially Mirabelle Tremonceau.
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl The Transgression of Andrew Vane… (1904)

It came into being, my dear Vane, in a stuffy, overfurnished little apartment in one of the suburbs, as a patron of questionable merit by a charming creature with more ideas than reputation, and was first worn at the little Mathurins — or here — by Ninon Gyrianne: at a theatre where my lady would not be seen, by a woman whom she would not receive!
Source: Wikisource

Portrait of Guy Wetmore Carryl Guy Wetmore Carryl The Transgression of Andrew Vane… (1904)

It’s never too late to mend. Cut loose, my dear Vane — cut loose from Mirabelle, and go back to the girl you really care for. You’ll have to deny a few things, of course, and swallow some humiliation; but don’t get tragic over it. In affairs like this, the first course is humble-pie, but the pièce de résistance is invariably fatted calf!”
“Cut loose from Mirabelle,” repeated Andrew.
Source: Wikisource

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