Summary

Portrait of H. Rider Haggard H. Rider Haggard Lysbeth: A Tale of the Dutch — Chapter XXX: TWO SCENES (1901)

One evening they sat in the parlour on the ground floor of the house, or rather Lysbeth sat, for Elsa knelt by her, her head resting upon the arm of the chair, and wept.
"Oh! it is cruel," she sobbed, "it is too much to bear. How can you be so calm, mother, when perhaps Foy is dead?"
"If my son is dead, Elsa, that is God's Will, and I am calm, because now, as many a time before, I resign myself to the Will of God, not because I do not suffer. Mothers can feel, girl, as well as sweethearts."
Source: Wikisource

Portrait of H. Rider Haggard H. Rider Haggard Lysbeth: A Tale of the Dutch — Chapter XXX: TWO SCENES (1901)

For the Spaniards, those that are left of them, are broken and have fled away from their forts and flooded trenches.
So the scene changes from warring, blood-stained, triumphant Holland to the quiet city of Norwich and a quaint gabled house in Tombland almost beneath the shadow of the tall spire of the cathedral, which now for about a year had been the home of Lysbeth van Goorl and Elsa Brant. Here to Norwich they had come in safety in the autumn of 1573 just before the first siege of Leyden was begun, and here they had dwelt for twelve long, doubtful, anxious months.
Source: Wikisource

Portrait of H. Rider Haggard H. Rider Haggard Lysbeth: A Tale of the Dutch — Chapter XXX: TWO SCENES (1901)

Therefore it would seem that not in vain was Hendrik Brant stubborn and foresighted, that his blood and the blood of Dirk van Goorl were not shed in vain; that not in vain also did Elsa suffer the worst torments of a woman's fear in the Red Mill on the marshes; and Foy and Martin play their parts like men in the shot-tower, the Gevangenhuis and the siege, and Mother Martha the Sword find a grave and rest in the waters of the Haarlem Meer.
Source: Wikisource

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