Summary

Portrait of Henry Austin Dobson Henry Austin Dobson 1911 Encyclopædia Britannica, Volume 15… (1911)

The entire Academy of St Luke, with numerous ecclesiastics and virtuosi, followed her to her tomb in S. Andrea delle Fratte, and, as at the burial of Raphael, two of her best pictures were carried in procession.
The works of Angelica Kauffmann have not retained their reputation. She had a certain gift of grace, and considerable skill in composition. But her drawing is weak and faulty; her figures lack variety and expression; and her men are masculine women.
Source: Wikisource

Portrait of Henry Austin Dobson Henry Austin Dobson 1911 Encyclopædia Britannica, Volume 15… (1911)

In 1773 she was appointed by the Academy with others to decorate St Paul’s, and it was she who, with Biagio Rebecca, painted the Academy’s old lecture room at Somerset House. It is probable that her popularity declined a little in consequence of her unfortunate marriage; but in 1781, after her first husband’s death (she had been long separated from him) , she married Antonio Zucchi (1728–1795) , a Venetian artist then resident in England. Shortly afterwards she retired to Rome, where she lived for twenty-five years with much of her old prestige. In 1782 she lost her father
Source: Wikisource

Portrait of Henry Austin Dobson Henry Austin Dobson 1911 Encyclopædia Britannica, Volume 15… (1911)

Rooms decorated by her brush are still to be seen in various quarters. At Hampton Court is a portrait of the duchess of Brunswick; in the National Portrait Gallery, a portrait of herself. There are other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, and in the Alte Pinakothek at Munich. The Munich example is another portrait of herself
Source: Wikisource

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