Summary

Portrait of Hugh Walpole Hugh Walpole The Golden Scarecrow — Epilogue (1915)

All of which gave Seymour to understand that the Rev. James Trenchard was a failure in life, although a good enough fellow. Then it was that suddenly, in the heart of that warm and cosy drawing-room, Hugh Seymour was, sharply, as though by a douche of cold water, awakened to the fact that he must see Clinton St. Mary again. It appeared to him, now, with its lanes, its hedges, the village green, the moor, the Borhaze Road, the pirates, yes, and the Scarecrow. It came there, across the Canon's sumptuous Turkey carpet, and demanded his presence.
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole The Golden Scarecrow — Epilogue (1915)

The slow, sleepy train (the London express never stops at Clinton) jerked through the deep valleys, heavy with woods, golden brown at their heart, the low hills carrying, on their horizons, white drifting clouds that flung long grey shadows. Seymour felt suddenly as though he could never return to London again exactly as he had returned to it before. "That period of my life is over, quite over.... Some one is taking me down here now—I know that I am being compelled to go. But I want to go. I am happier than I have ever been in my life before."
Source: Wikisource

Portrait of Hugh Walpole Hugh Walpole The Golden Scarecrow — Epilogue (1915)

Seymour had known Polchester since he was five years old, when he first lived there with his father and mother, but he had only once during the last ten years been able to visit Glebeshire, and then he had been to Rafiel, a fishing village on the south coast. He had, therefore, not seen Polchester since his childhood, and now it seemed to him to have shrivelled from a world of infinite space and mystery into a toy town that would be soon packed away in a box and hidden in a cupboard.
Source: Wikisource

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