Ivan Turgenev

Ivan Turgenev

Summary

Portrait of Ivan Turgenev Ivan Turgenev On the Eve — XIX

Elena shrugged her shoulders, reluctantly held out her hand to him—not the one Insarov had kissed—and going up to her room, at once undressed, got into bed, and fell asleep. She slept a deep, unstirring sleep, as even children rarely sleep—the sleep of a child convalescent after sickness, when its mother sits near its cradle and watches it, and listens to its breathing.
Source: Wikisource

Portrait of Ivan Turgenev Ivan Turgenev On the Eve — XIX

A true insinuation makes one wretched—that's unchristian—and to an untrue insinuation a man is indifferent—that's stupid, but at a half true one he feels vexed and impatient. For instance, if I say that Elena Nikolaevna is in love with one of us, what sort of insinuation would that be, eh?'
'Ah, Monsieur Paul,' said Elena, 'I should like to show myself vexed, but really I can't. I am so tired.'
'Why don't you go to bed?' observed Anna Vassilyevna, who was always drowsy in the evening herself, and consequently always eager to send the others to bed.
Source: Wikisource

Portrait of Ivan Turgenev Ivan Turgenev On the Eve — XIX

By degrees, not only they, but the whole room, everything surrounding her, seemed like a dream—everything: the samovar on the table, and Uvar Ivanovitch's short waistcoat, and Zoya's polished finger-nails, and the portrait in oils of the Grand Duke Constantine Pavlovitch on the wall; everything retreated, everything was wrapped in mist, everything ceased to exist.
Source: Wikisource

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