Summary

J. D. Beresford Nineteen Impressions — Force Majeure (1918)

FORCE MAJEURE AS a midge before an elephant, so is man when opposed to Fate. The elephant breathes or lies down, and the high shrill of the midge is done. The midge believes passionately that the looming monster which shuts out his whole world has come across the earth with this one awful purpose of destroying his little life. But the elephant knows less of the midge than the midge knows of the elephant. ...
George Coleman was not a figure that one would associate with the blunderings of outrageous destiny.
Source: Wikisource

J. D. Beresford Nineteen Impressions — Force Majeure (1918)

He was a shade too sentimental to shirk a sacred trust. Muriel, almost with her "dying breath," had confided Mickie to his keeping; bright, beautiful, happy Muriel who had loved and trusted him. Coleman would have regarded himself as a damned soul if he had been false to that trust.
Then he tried to train Mickie. He might as well have tried to train the dormer window. Mickie was four years old, and long past any possibility of alteration by the methods of Coleman. For he simply could not beat the dog; it would have been too sickeningly like beating Muriel.
Source: Wikisource

J. D. Beresford Nineteen Impressions — Force Majeure (1918)

He punted even better than she did, and he was devoted to dogs, and more especially to Mickie. Nothing could have been more satisfactory and altogether delightful before the elephant came£a vast, ubiquitous, imperturbable beast that the doctors called typhoid.
After Muriel died, Coleman took Mickie home to his chambers in Old Buildings, Lincoln's Inn. Mickie was more than a legacy; he was a sacred trust. Coleman had sworn to cherish him when his lovely mistress had been called away to join the headquarters of that angelic host to which she had hitherto belonged as a planetary member.
Source: Wikisource

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