Summary

Portrait of J. S. Fletcher J. S. Fletcher The Middle of Things — XXVI. The Dismal Street (1922)

Portlethwaite knew well enough that to put him on a trail was equivalent to putting a hound on the scent of a fox or a terrier to the run of a rat. And that evening, Millwaters, who had clever ways of his own, made himself well acquainted with the so-called Mr. Cave's appearance, and assured himself that his man had gone peacefully to rest at his hotel, and he had seen him again before breakfast next morning and had been in quiet and unobtrusive attendance upon him when, later, he visited Methley's office and subsequently walked away with Methley to the police-court.
Source: Wikisource

Portrait of J. S. Fletcher J. S. Fletcher The Middle of Things — XXVI. The Dismal Street (1922)

Perkwite drew away from the window, pulling Millwaters by the sleeve.
"Careful!" he said. "There's something seriously wrong here, Millwaters! What's Miss Wickham being brought down here for? See, they've gone into that surgery, and the car's going off. Look here—we've got to do something, and at once!"
But Millwaters shook his head.
"Not my job, Mr. Perkwite!" he answered. "My business is with the man—Cave! I've nothing to do with Miss Wickham, sir, nor with the old lady that's taken her in there. Cave's my mark! Queer that the young lady's gone there, no doubt, but—no affair of mine."
Source: Wikisource

Portrait of J. S. Fletcher J. S. Fletcher The Middle of Things — XXVI. The Dismal Street (1922)

Perkwite—don't seem to be watching anything. We're just going in for a bottle of ale, and talking business together.
"Whatever you recommend," said Perkwite.
He followed his companion down the street to the tavern, a joyless and shabby place, the bar-parlour of which, a dark and smoke-stained room was just then empty, and looked over its torn half-blind across the way.
"Certainly a queer place for a man who professes to be a peer of the realm to visit!" he muttered. "Well, now, what do you propose to do, Millwaters?"
Source: Wikisource

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