Jean Toomer

Jean Toomer

Summary

Portrait of Jean Toomer Jean Toomer Cane — Carma (1923)

The sun is hammered to a band of gold. Pine-needles, like mazda, are brilliantly aglow. No rain has come to take the rustle from the falling sweet-gum leaves. Over in the forest, across the swamp, a sawmill blows its closing whistle.
Source: Wikisource

Portrait of Jean Toomer Jean Toomer Cane — Carma (1923)

Dusk takes the polish from the rails. Lights twinkle in scattered houses. From far away, a sad strong song. Pungent and composite, the smell of farmyards is the fragrance of the woman. She does not sing; her body is a song. She is in the forest, dancing. Torches flare .. juju men, greegree, witch-doctors ..
Source: Wikisource

Portrait of Jean Toomer Jean Toomer Cane — Carma (1923)

Then he wasted half an hour gathering the neighbor men. They met in the road where lamp-light showed tracks dissolving in the loose earth about the cane. The search began. Moths flickered the lamps. They put them out. Really, because she still might be live enough to shoot. Time and space have no meaning in a canefield. No more than the interminable stalks... Some one stumbled over her. A cry went up. From the road, one would have thought that they were cornering a rabbit or a skunk... It is difficult carrying dead weight through cane.
Source: Wikisource

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