Johannes Grenzfurthner,
GEORG PAUL THOMANN. Or: A Short History Of A Collaborative Conspiracy
(2006)
“ We wanted to set an example that artists do not necessarily have to internalize the fragmentation and isolation that is being imposed upon them by the structure of the art market, the exhibition business, as well as the economy containing them. For us, though, this is not about taking a stand for either the westernized-economical imperialism represented by Taiwan or for China's old-school Stalinist imperialism. ”
