John Boyle O'Reilly

John Boyle O'Reilly

Summary

Portrait of John Boyle O'Reilly John Boyle O'Reilly Moondyne — Millbank (1879)

Better the old dungeon, with its gloom; better for the sake of humanity. The new prison is a cage—a hideous hive of order and commonplace severity, where the flooding sunlight is a derision, and the barred door only a securer means of confinement. For the sake of sentiment, at least, let us have the dismal old keep, that proclaims its mission on its dreadful brow, rather than the grinning bar-gate that covers its teeth-like mils with vulgar metal efflorescence.
The great penitentiary of Millbank, is, or rather was, an old fashioned prison, its vast arched gateway sombre and awful as a tomb.
Source: Wikisource

Portrait of John Boyle O'Reilly John Boyle O'Reilly Moondyne — Millbank (1879)

Surely, if there be any remote truth in the theory of psychic magnetism, the afflicted soul within those walls must have felt the presence of the loving and suffering heart without, which sent forth unceasingly silent cries of sympathy and comfort. Surely, if communion of living spirits be possible, the dream of the lonely prisoner within must have thrilled with tenderness when his fevered lips were pressed as lovingly to the icy stone of the prison wall as once they were pressed to her forehead in affectionate farewell.
Source: Wikisource

Portrait of John Boyle O'Reilly John Boyle O'Reilly Moondyne — Millbank (1879)

She had been sewing on something coarse and white, and a heap of the articles lay at her feet. As the door opened, she stood up from the low seat on which she had sat in the centre of the stone-floored cell, and, with her eyes on the ground, awaited the scrutiny of the visitors, according to prison discipline.
Will Sheridan took in the whole cell at once, although his eyes only rested on her face. She never looked on him, but stood in perfect calmness, with her eyes cast down.
Source: Wikisource

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