John Buchan

John Buchan

Fullcircle (1920)

Summary

Portrait of John Buchan John Buchan Fullcircle (1920)

The place had the spacious air of a great mansion, and was furnished in every detail with a fine scrupulousness. Only when the eye measured its proportions with the woods and the hillside did the mind perceive that it was a small dwelling.
The stone of Cotswold takes curiously the color of the weather. Under thunderclouds it will be as dark as basalt; on a gray day it will be gray like lava; but in sunshine it absorbs the sun. At the moment the little house was pale gold, like honey.
Leithen swung a long leg across the stile.
Source: Wikisource

Portrait of John Buchan John Buchan Fullcircle (1920)

Mrs. Giffen would have us change into dry things, but Leithen pleaded a waiting dinner at Borrowby. The two of us stood by the fireplace, drinking tea, the warmth drawing out a cloud of vapor from our clothes to mingle with the wood-smoke. Giffen lounged in an armchair and his wife sat by the tea-table. I was looking for the changes of which Leithen had spoken.
I did not find them in Giffen. He was much as I remembered him on the June night when I had slept here—a trifle fuller in the face, perhaps, a little more placid about the mouth and eyes. He looked a man completely content with life.
Source: Wikisource

Portrait of John Buchan John Buchan Fullcircle (1920)

To tackle the future you must have a firm grip of the past, and for them the past is only a pathological curiosity. They're up to their necks in the mud of the present—but good, after a fashion; and innocent—sordidly innocent. Fate was in an ironical mood when she saddled them with that wicked little house.'
'Wicked' did not seem to me to be a fair word. It sat honey-colored among its gardens with the meekness of a dove. The sound of a bicycle on the road behind made us turn round, and Leithen advanced to meet a dismounting rider.
Source: Wikisource

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