Summary

Portrait of Joseph Conrad Joseph Conrad Victory — Part Four, Chapter Four (1915)

The strong impression made on him by Pedro was the prime inducement which had led Wang to purloin the revolver. Reflection on the general situation, and on the insecurity of Number One, came later, after he had obtained possession of the revolver and of the box of cartridges out of the table drawer in the living-room.
"Oh, you savee plenty about white men," Heyst went on in a slightly bantering tone, after a moment of silent reflection in which he had confessed to himself that the recovery of the revolver was not to be thought of, either by persuasion or by some more forcible means.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Victory — Part Four, Chapter Four (1915)

You go now?" said Heyst, leaning back, his book on his knees.
"Yes. Me no likee. One man, two man, three man--no can do! Me go now."
"What's frightening you away like this?" asked Heyst, while through his mind flashed the hope that something enlightening might come from that being so unlike himself, taking contact with the world with a simplicity and directness of which his own mind was not capable. "Why?" he went on. "You are used to white men. You know them well."
"Yes. Me savee them," assented Wang inscrutably. "Me savee plenty."
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Victory — Part Four, Chapter Four (1915)

Already, with the consciousness of her love for this man, of that something rapturous and profound going beyond the mere embrace, there was born in her a woman's innate mistrust of masculinity, of that seductive strength allied to an absurd, delicate shrinking from the recognition of the naked necessity of facts, which never yet frightened a woman worthy of the name.
Source: Wikisource

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