Karel Čapek,
The World
(1930)
“ As in “R. U. R.” he worked from a fantastic premise to a dramatic and startling conclusion that fits definitely into the pattern of practical human philosophy; so in “The Makropoulos Secret,” he works from the fantastic premise of a formula to prolong life indefinitely into immortality and moves to a dramatic conclusion which audiences will find fitting definitely into the pattern of their philosophy after they have gotten away from the sheer glamour and grip of the drama itself. ”
