Summary

Portrait of Kate Chopin Kate Chopin At Fault — Chapter I - The Mistress of Place-du-Bois… (1890)

His black hair was streaked abundantly with grey, and his face marked with premature lines; left there by care, no doubt, and, by a too close attention to what men are pleased to call the main chances of life.
“A serious one,” was Thérèse’s first thought in looking at him. “A man who has never learned to laugh or who has forgotten how.”
Source: Wikisource

Portrait of Kate Chopin Kate Chopin At Fault — Chapter I - The Mistress of Place-du-Bois… (1890)

Looking through the wide open back doors, the picture which she saw was a section of the perfect lawn that encircled the house for an acre around, and from which Hiram was slowly raking the leaves cast from a clump of tall magnolias. Beneath the spreading shade of an umbrella-China tree, lay the burly Hector, but half awake to the possible nearness of tramps; and Betsy, a piece of youthful ebony in blue cottonade, was crossing leisurely on her way to the poultry yard
Source: Wikisource

Portrait of Kate Chopin Kate Chopin At Fault — Chapter I - The Mistress of Place-du-Bois… (1890)

These hills extended in a long line of gradual descent far back to the wooded borders of Lac du Bois; and within the circuit which they formed on the one side, and the irregular half circle of a sluggish bayou on the other, lay the cultivated open ground of the plantation—rich in its exhaustless powers of reproduction.
Among changes which the railroad brought soon after Jérôme Lafirme’s death, and which were viewed by many as of questionable benefit, was one which drove Thérèse to seek another domicile.
Source: Wikisource

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