Summary

Portrait of Kate Chopin Kate Chopin Bayou Folk — La Belle Zoraïde (1894)

But there was a more powerful will than Madame's at work—the will of the good God, who had already designed that Zoraïde should grieve with a sorrow that was never more to be lifted in this world. La belle Zoraïde was no more. In her stead was a sad-eyed woman who mourned night and day for her baby. 'Li mouri, li mouri,' she would sigh over and over again to those about her, and to herself when others grew weary of her complaint.
"Yet, in spite of all, M'sieur Ambroise was still in the notion to marry her. A sad wife or a merry one was all the same to him so long as that wife was Zoraïde.
Source: Wikisource

Portrait of Kate Chopin Kate Chopin Bayou Folk — La Belle Zoraïde (1894)

La belle Zoraïde's sorrows had now begun in earnest. Not only sorrows but sufferings, and with the anguish of maternity came the shadow of death. But there is no agony that a mother will not forget when she holds her first-born to her heart, and presses her lips upon the baby flesh that is her own, yet far more precious than her own.
Source: Wikisource

Portrait of Kate Chopin Kate Chopin Bayou Folk — La Belle Zoraïde (1894)

Bon Dieu Seigneur, but this is too much!'
" 'Am I white, nénaine?' pleaded Zoraïde.
" 'You white! Malheureuse! You deserve to have the lash laid upon you like any other slave, you have proven yourself no better than the worst.'
" 'I am not white,' persisted Zoraïde, respectfully and gently. 'Doctor Langlé gives me his slave to marry, but he would not give me his son.
Source: Wikisource

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