Summary

Portrait of L. Frank Baum L. Frank Baum The Flying Girl — 13. Sybil is Critical (1911)

Burthon can’t prevent our success,” declared Steve. “Even if some minor parts go wrong, the aircraft will fly as strongly and as well as anything now in existence.”
“Don’t be too sure,” cautioned Mr. Cumberford. “You and your machine may be all right, but that’s no reason why Burthon can’t push failure at you, or even prevent you from flying. We must watch him.”
“I do not believe the man hates us,” observed Orissa, thoughtfully. “Mr. Burthon is a little queer and—and unscrupulous, at times; but I don’t consider him a bad man, by any means.”
Source: Wikisource

Portrait of L. Frank Baum L. Frank Baum The Flying Girl — 13. Sybil is Critical (1911)

Neither brother nor sister could imagine; but Cumberford knew.
“He hopes you won’t be able to meet it, and then he’ll foreclose and turn you out,” he said. “But you’re not the principal game he’s after; he’s shooting me over your heads. Burthon is miffed because I let you have the money, but believes I haven’t any financial or personal interest in you beyond that. If he can prevent your aircraft from flying he’ll make me lose my money and also ruin you two youngsters. That’s doubtless his game. That’s why he sent his man here to spy upon you.”
Source: Wikisource

Portrait of L. Frank Baum L. Frank Baum The Flying Girl — 13. Sybil is Critical (1911)

But having discovered that Burthon was intent upon some secret intrigue, which could bode no good to his protégés—the Kanes—he promptly changed his mind and informed Steve on a subsequent visit that he had arranged affairs at home and was now free to spend the entire winter in Southern California.
“My daughter likes it here,” he added, “and kicks up fewer rows than she does at home; so that’s a strong point in favor of this location. Aviation interests me.
Source: Wikisource

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