Summary

Portrait of L. Frank Baum L. Frank Baum The Flying Girl — 25. The Real Heroine (1911)

Could one be so utterly vile as to try to murder a girl who had never injured him? I think not. It is more reasonable to suppose that in his excitement he forgot himself—his manhood and his sense of justice—and only at the last moment realized what he was doing. I believe,” she added, simply, “I shall give him the credit of the doubt and accept his statement.”
Tyler stared at her as if he could scarcely believe his senses, while an expression of joy slowly spread over his haggard face. Radley-Todd gave Orissa a quiet smile of comprehension and approval.
Source: Wikisource

Portrait of L. Frank Baum L. Frank Baum The Flying Girl — 25. The Real Heroine (1911)

Whether Tyler’s ultimate redemption was probable or not, Orissa did not care to assume the responsibility of crushing him in order to avenge the shameful attempt, made in a moment of frenzy, to destroy her life. While those assembled hung breathless upon her words she said with assumed composure:
“The man knows better than I whether he speaks the truth.
Source: Wikisource

Portrait of L. Frank Baum L. Frank Baum The Flying Girl — 25. The Real Heroine (1911)

Not by your whining falsehoods and misrepresentations, but because these people are too noble to be revenged upon one so ignoble and degraded. But I’m not built that way myself. I’m longing to kick you till you can’t stand, and there’s a mighty power to my hamstrings, I assure you. I refrain just now, because ladies are present, but if I ever set eyes on your carcass again you’ll think Cumberford’s kick was a mere love-pat. Get out!”
Tyler cringed, turned without a word and shuffled through the doorway.
Orissa came forward and took the young fellow’s hand in her own, impulsively.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature